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BOOKS BY AMY IONE

  • Innovation and Visualization is the first in detail account that relates the development of visual images to innovations in art, communication, scientific research, and technological advance.

    Nature Exposed to our Method of Questioning explores how we create our cultural assumptions about nature, culture and ourselves.

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by Amy Ione

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« September 2008 | Main | November 2008 »

October 2008

October 31, 2008

Ann: Leonardo Reviews new postings November 2008

Leonardo Reviews is pleased to announce the new postings at:http://leonardo.info/ldr.html (ISSN: 1559-0429)

Continue reading "Ann: Leonardo Reviews new postings November 2008" »

Ann: Ione Reviews on ASA Synesthesia Conference

The 7th Annual National Conference of the American Synesthesia Association, Inc.  <http://leonardo.info/reviews/nov2008/ione_conference.html>
26-28 September 2008
Reviewed by Amy Ione
Synesthesia: Art and the Mind  <http://leonardo.info/reviews/nov2008/ione_exhibition.html>
18 September - 20 September 2008 The McMaster Museum of Art
Reviewed by Amy Ione
 

October 21, 2008

Ann: Macbeth Gallery digital collection

Macbeth Gallery digital collection launched by the Thomas J. Watson Library and the Frick Art Reference Library.

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Ann: Symposium on appropriation rights in the digital era

On November 7 & 8, 2008, the University of California, Berkeley will hold a symposium on appropriation rights in the digital era entitled: Takeovers & Makeovers: Artistic Appropriation, Fair Use, and Copyright in the Digital Age.

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October 19, 2008

STIP: ZKM-fellowships for "Global Seminar" in Germany, June 2009

ZKM Summer Fellowships 2009
Contemporary Art and the Global Age

The Center for Art and Media Karlsruhe, Germany is happy to announce ten international fellowships, supported by the Fritz Thyssen Foundation in conjunction with the research project GAM - Global Art and the Museum.

Continue reading "STIP: ZKM-fellowships for "Global Seminar" in Germany, June 2009" »

Exhibition: Pompeii and the Roman Villa

The National Gallery of Art unveils close to 150 works of art excavated from or inspired by the ancient city of Pompeii. Slide show | Review | National Gallery web site

October 16, 2008

Exhibition: Digital’08: Imagination On Behalf Of Our Planet

The 10th International Digital Print Exhibition, Organized by Art & Science Collaborations, Inc. (ASCI) at the New York Hall of Science October 4, 2008 – January 25, 2009 | Online Exhibition: http://www.asci.org/artikel994.html

Simmons-mini3 Chin-min3 Smernou-mini3 Ferragallo-mini3

Artists From Left to Right:
Rachel Simmons // Christine Chin // Lily Smernou // Roger Ferragallo

Continue reading "Exhibition: Digital’08: Imagination On Behalf Of Our Planet" »

October 14, 2008

Exhibition: Brought to Light: Photography and the Invisible, 1840–1900

San Francisco Museum of Modern Art | Saturday, October 11, 2008 - Sunday, January 04, 2009
Modern science and photography flowered simultaneously in the early 19th century, and photography was adopted as a scientific tool from the first years of its invention. Over the course of the century, scientists made pictures using the microscope and the telescope, capturing previously hidden realms both infinitesimally small and unimaginably large. They used photography to analyze motion, to see into faraway galaxies, and to look inside the human body.

Continue reading "Exhibition: Brought to Light: Photography and the Invisible, 1840–1900" »

October 12, 2008

Video: Stroke of Insight by Jill Bolte Taylor

TED has a video that is a must see for anyone interested in how the brain works. Jill Bolte Taylor got a research opportunity few brain scientists would wish for: She had a massive stroke, and watched as her brain functions -- motion, speech, self-awareness –- shut down one by one. This talk tells her astonishing story.

October 11, 2008

Exhibition: Art and Light

In 2001, I read the catalogue for a show titled "Light: The Industrial Age 1750-1900, Art and Science, Technology and Society." Although I never did see the show, its only venue in the US was the Carnegie Museum of Art, the catalogue made a tremendous impression on me. Before this, I had never given serious thought to how much electricity has altered our ability to read, work, make art, etc. The 2001 exhibition was organized with the Van Gogh Museum and was, in part, motivated by a desire to demonstrate that even the greatest artists struggled with the variables of natural and artificial light. One incentive to mount the show was that Van Gogh mentioned in his letters that his paintings looked different in daylight and gaslight.

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